May 2009 Archive

Don’t Say Cheese

By Brian Trimmer

We all have pictures hanging on the wall or in our wallet where the photographer said, “Say cheese.” Sometimes it is painfully obvious in an over-acted, hyper-smile. Many are cute or adorable or handsome.

There is definitely a time and place for looking at the camera and giving a heart-felt, warm smile.

How about candid shots though? How many times do we interrupt a child’s play or a couple’s conversation so they can say cheese? In that moment where the focus and joy of the activity is disrupted, a little magic is lost.

Capture the sheer abandon of a child lost in the fun of a fantasy game. Portray the happiness or interest of a couple lost in conversation. Photograph the natural wonder and excitement of someone inspecting the ocean or an animal at the zoo.

A good candid photo encapsulates a whole range of emotions and unspoken thoughts in a way that a staged, pre-set portrait can not.

You can certainly keep the fixed and specific shots. People generally like to be aware when their picture is being taken. However, sprinkle in a healthy dose of “surprise” shots.

You will capture a true and natural essence that is unparalleled in joy.

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Posted by Heather Trimmer in Digital Photography Essentials

Look Out, It’s Moving!

rule-of-thirds-in-motion

rule-of-thirds-22

The rule of thirds is an interesting idea in both photography and art. This rule involves splitting your scene into three parts vertically and horizontally.

Imagine a huge tic-tac-toe board placed over your LCD screen.

With your main focal points placed at the intersections of the grid (where the lines cross each other), you can really bring out the interest, tension, and energy of your entire picture.

For example, when taking a picture of a person, try placing him on one of the two vertical lines in your mind’s eye, with the eyes on the top horizontal line.

Suddenly, your pictures will pop, and catch the eye, rather than being another blah picture of that person in the center of your frame.

What a relief!

Now, when capturing a moving object, try to capture them moving into the imaginary tic-tac-toe frame from one side to another. This provides flow to your frames.

While you’re at it, keep more empty space in front of your object in motion, thus pin pointing the direction of motion.

I realize this is a little more advanced, but with a fast shudder speed and a little practice, you can really up the anty on your digital photography prowess.

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‘Tis a Gift to be Simple

In an effort to maximize your efforts, and investment, in your digital photography experience, I encourage you to focus your energy on simplicity as you begin.

So many folks snap shots of their kids or pets or items to post on Ebay without much thought to what else is happening around the subject. In many cases, you don’t have complete control over the zone in your LCD window, yet you can take care of quite a bit.

In the case of an object, be purposeful in arranging your setting. Make the bed, move the pile of laundry, lay a solid color sheet down and arrange some focused lighting nearby.

With people, the task becomes more challenging. You can wait for that other person to move their body out of the shot, or lay your baby on a clear spot on the carpet. Pay attention to detail, and clean up the clutter in your shot. This helps your audience to focus their attention where you want it to be.

Once you have cleaned up the general shot area, be sure to zoom in to capture the part or subject that you want to emphasize. Obviously, this helps in minimizing irrelevant objects in your shot.

In addition, distracting areas can be taken away or soften in the shot. Zooming is one of the simplest tools to use with your digital SLR camera, or point and shoot for that matter.

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Another Victory for Digital Photography

By Brian Trimmer

My son recently made a precious sculpture for my mother’s upcoming visit. He was so eager to present it to her when she arrived. However, the item is too big to be taken on mom’s return flight.

Never fear, digital photography to the rescue. I took several pictures of my son and my mother together with the sculpture. Mom will have the photographs, my son was thrilled that “grandma” loves his work so much and that he got to see the photos with he and “grandma”, and, we will bring the work of art this summer when we drive to my mom’s.

All in all, some good problem solving and great use of digital photography to overcome an obstacle.

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Posted by Brian Trimmer in Digital Photography Essentials

Grabbing a Great Picture

By Heather Trimmer

These days, the biggest sellers in the camera market are the digital single-lens reflex (dSLR) cameras. In fact, the Canon Digital Rebel XSi is listed in the top 25 of Amazon’s best selling electronic list this week. Not too shabby if you ask me.

According to Wikipedia, a digital SLR camera “. . . uses a mechanical mirror system and pentaprism to direct light from the lens to an optical viewfinder on the back of the camera.” Thereby giving you a much better picture than if you had used a point and shoot model.

The dSLR’s are the modern gadgets that can trigger our creativity and inspire our emotions. Affordability and technology have brought these amazing tools to the masses like me. All we have to do is harness the creative power that we have at our fingertips.

Most people choose digital SLRs because they are so versatile. You can move from telephoto to extra wide angle lenses with relative ease. However, having these cameras does not guarantee that the every captured image will turn out perfect.

Far from it, in fact. You can set the camera to various auto modes, but you catapult yourself into a whole new realm of control with manual control. Keep in mind, photo editing is also key as you progress up the armature photographer ladder. For now, let’s keep it simple, and take you step by step through this process.

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Thank Goodness for the Delete Button

By Brian Trimmer

I am not a photogenic person in the least. I rarely find a picture of myself that satisfies me. Perhaps I am a bit vain but a plethora of goofy or downright hideous pictures support my non-photogenic claim.

Prior to the advent of digital photography, such frames on film were wasted. The picture was paid for and I stood with a physical testimony to my silly face in my hands. The picture with half-closed eyes or mouth opened in a ridiculous pose was permanent.

Thank goodness for the delete button! After a typical ludicrous photograph, one push of a button and the evidence is gone. No more dopey looks and half-intelligent expressions, my self concept of dashing good looks is bolstered. Gone are the reminders of my lack of photogenic skill! Plus, I don’t have to waste time, money, and film on photos that I will eventually tear up.

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Posted by Heather Trimmer in Digital Photography Essentials and tagged with , ,

The Best Picture I EVER Took

I have taken a number of pictures that I am pleased with. I especially like scenery shots with a variety of landscapes or lighting. I have a thing for silhouetted structures.

In the days of film, Heather would roll her eyes at what she considered “wasted” pictures. Now of course with the advent of the digital camera, I am free to aim and click at mountains, seascapes, or animals in the zoo to my hearts content.

I was thinking about what I would consider my favorite all-time photograph.  After a little thought, I landed on a picture I snapped while Heather and I where in Inverness Scotland – a classic Scottish town!

I aimed and clicked a beauty, the Inverness Castle in black set against a sunset sky of pink and orange;  in the distance, an old-world church steeple. Remember, I have a soft spot for Silhouettes. It had strength, elegance, and soft beauty all rolled into one.

I really wish this gem was digital. I could then upload, download, email, or set as my desktop background;  that photograph could go with me anywhere.

Of course, I can go dig out the photo album, pull the photo off the sticky page, and scan the image into my computer. I can turn the physical copy into a digital image that is true, but how much better photography is at present when photographs are digital from the beginning.

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